Die Toten 1967-93

Han's Peter Feldmann presents a photographic archival piece featuring images of terrorism in Germany. In this collection, he portrays a series of photographic images to register ethical and political disclosures to the audience. The material presented in this work is collected from different media sources, cities, and nations as it raises the questions of whether it serves as an art piece, or a testimonial. The aspect of his practice is the process of constantly shuffling new forms of reception weather from books, newsprints, and photocopies in the experience of anomie. Just like Feldmann I want to form a collection, however my project is rather focused on one form, illustrations of character designs. Obviously Feldman’s practice relates to a bigger social aspect which is something that I cannot relate to mine but I really admire his work and look up to his ideals.